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411  GALLERY

Projective Impressions

Recent works by J. Irwin Miller Architecture Program faculty members explore printmaking as a tool for representing cultural memory (Daniel Luis Martinez) and interrogating the symbolism of modernist buildings (Sam van Strien). The exhibition also includes works from the school’s visual studies curriculum curated by Silvia Acosta.  Across a range of materials and scales, students investigate the dialogue between immaterial concepts and physical constructs. 

411 Current

Exhibition Dates

February 5–March 13, 2026

Gallery Hours

Thursday & Friday from 12:00–6:00 pm

or By Appointment

Reception

March 5 | 5:00–7:00 pm

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411 Gallery

411 Sixth Street

Columbus, Indiana

Gallery Hours

Thursday & Friday 12:00–6:00 pm
Saturdays 10:00 am–2:00 pm

 

Or by appointment:

info@artsincolumbus.org​​

Echale Agua/Throw Water On It

Cyanotype prints and mixed media drawings on handmade sisal paper

By Daniel Luis Martinez

“Echale Agua” translates roughly to “Throw Water On It” and is a colloquial phrase used by many domino players of Cuban and Puerto Rican heritage when they shuffle and reset tiles (or “fichas”) between rounds of play. In this series, cyanotype prints and mixed-media drawings capture and reframe this important cultural ritual and pastime. Using domino tiles as mark-making tools, the works are made slowly under UV light capturing movement and imprints in various hues of blue. Each work reconstructs memories of the artist’s upbringing in Hialeah, Florida—a dense enclave of Cuban immigrants in Miami-Dade County—where he spent many weekends playing dominoes with family members on a covered porch. To complete the process, the prints are washed in a basin of water. This removes the cyanotype sensitizer and stops the hand-made sisal paper from darkening further. By immersing the prints in water, the colloquial phrase that inspired the series is enacted in a new form and preserves the meaning of resetting between iterations. The series is accompanied by a continual practice of writing poems that combine memories and descriptions of the author’s upbringing into lyrical collages.

Echale Agua_Cyanotype Print on Sisal Paper

Impressions of Capital/Building Capital

By Sam van Strien

This series, developed during a residency at the NARS Foundation in New York City, centers on Lever House, a modernist skyscraper in Manhattan. Designed for the Unilever Company, the building becomes a site through which to consider modernism not only as an architectural language, but as a form of corporate branding.  
Working with photo-engraved magnesium plates and prints, this work draws from archival research conducted at Columbia University and the Museum of Modern Art, engaging materials related to Skidmore, Owings & Merrill, the firm responsible for Lever House. Photographs are transferred onto metal through a process of exposure and engraving. 
The resulting works mirror the building’s own vocabulary of glass and steel - reflective, austere, and precise - while subtly destabilizing it. In translating the image of architecture into metal, the series foregrounds materiality as both structure and symbol, inviting viewers to reconsider how corporate power, modernist ideals, and industrial processes become embedded in the surfaces that shape our visual and cultural landscape. 

Sam van Strien_Impressions of Capital

PROJECTIVE OBJECTS: Mixed Material Construction

By Silvia Acosta and M.Arch Class of 2027

Works of art and architecture come from an initial idea, from a mental image. However, to conceive objects of a certain complexity and subsequently transmit their meanings, artists and architects work with analogous constructions that abstract or distill the essence of something. These three-dimensional objects are not so much a replica of a design as it is a transposition of its ideas. These analogues become objectified concepts or projective objects. The objects explore the constructed embodiment of three distinct concepts–supporting, containing, and mediating. 

Christopher Elam_Memory Block_Wood and Slate

About 411 Gallery

411 Gallery is a community arts gallery and cultural space for exhibitions, events, and collaborations. Managed by the Columbus Area Arts Council, 411 Gallery is located in downtown Columbus on the 6th Street Arts Alley, a creative hub at the heart of the city.

 

Managed by the Columbus Area Arts Council, 411 is made possible by grants from the Efroymson Family Fund, City of Columbus, Columbus Museum of Art & Design and by donations from the community.

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Community Studio

The 411 Community Studio is a space for local creatives to work, connect, and collaborate. Constructed with custom plywood panels and built-in furniture, the studio is intentionally designed to evolve—easily transforming into a workspace, meeting room, or exhibition wall for temporary installations.

 

The Community Studio is part of the Columbus Area Arts Council's inaugural residency project and was made possible through generous support from Heritage Fund: The Community Foundation of Bartholomew County.

Community Studo LAA Office CAAC12.34.05

Interested in exhibiting your work in 411 Gallery?

Here's how it works:
411 Gallery is typically booked about two years into the future and has a long list of artists who want to exhibit their work. We curate the shows with much intention, selecting artists whose work connects to an exhibition theme or something happening within the community or who we know will be a draw to the gallery.

How to be invited to exhibit:
1. Attend and participate in what we're doing
2. Plug into our local artist community
3. Create good work! (practice, adapt, practice, adapt)

Submit your work:
Email 411@artsincolumbus.org. Limit the attachment size to 10 MB.

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411 Community Studio

411 is made possible by the generosity of these organizations:

Efroymson Family Fund logo, a multicolored starburst shape with the name of the fund in blue at the right.
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Columbs Museum of Art + Design Logo, interlocking rectangles with the lettes "CMAD"
Columbus Area Arts Council Logo, abstract shapes mimicking "CAAC"
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